The Knight and the Moth by Rachel Gillig

Overall, five stars.

Notably, this is our 22nd romance book and the first romance novel to earn five stars across the board—a clean sweep no prior romance title has managed.

Hook, five stars.

The tension lies in the transition from the sanctuary of the cathedral to the high-stakes ritual of Divination. The protagonist, a “Diviner,” must interpret the fate of a trembling boy-king whose survival depends on her vision. This creates an immediate, desperate situation; if she misreads his future, the kingdom falls, compelling the reader to witness this heavy moment of judgment.

Writing Style, five stars.

The prose excels in building atmosphere through physical distinction rather than exposition. The protagonist’s “cropped silver-blond hair” and the knight’s “olive skin” with “gold bands” ground the fantasy in texture. Instead of labeling emotions, the author uses action: the king’s “trembling” and the girl’s “thickened palm.” While “rotting flowers” borders on a label, it is rendered as a visceral experience through the modifier “sickly-sweet.” The vivid contrast between “blood-red apples” and “pale fabric” creates a rich visual palette that defines the setting’s aesthetic immediately without over-explaining.

Standout Passage.

The confrontation with the knight on the road—specifically when he removes his helmet to reveal “olive skin” and “gold bands.” This transition from an anonymous soldier to a defiant, distinct individual underscores the protagonist’s isolation behind her veil and heightens the tension of the impending ritual.